Thursday, 14 July 2011

File-sharing: a research opportunity for Higher Education?

A question asked by @Ottua at the 1709 Big Copyright Debate organised by @Ipkat earlier this week got me thinking: how can we know for sure how much damage really IS being done to the creative industries by file-sharing?

This question comes up time and again. Surveys churn out various statistics, which show that file-sharing is extremely damaging to the industry which is suffering hugely as a result. Yet often these surveys are found to be commissioned by the industries themselves, which leaves the more sceptical among us wondering if this is really the true picture. Of course, it doesn’t help when we notice some obvious anomales, such as when Avatar managed to be both number one at the box office AND the number one most downloaded film, or the figures which show that alleged pirates are also the largest purchasers of legitimate content.

Let it be clear: I am not advocating piracy or wilful infringement. I am a firm believer that piracy (definition: making a large-scale profit from copies of the original with no remuneration to the rights holder) is a crime, akin to counterfeiting, which is purely for an individual’s or company’s financial gain and motivated by making money at someone else’s expense. However, file-sharing (definition: the upload and download of creative content to freely share for no commercial gain) is a civil infringement, because you are breaching the communication to the public right under copyright. This says (effectively) that when you upload a work which is not your own and without permission from the rights owner, you are infringing copyright. Yet it still happens. Why?

I think that from an early age we learn to share (some also argue that we learn to copy, but I see this as more by way of mimicking rather than copying work per se). Everyone has differing tastes and interests, making each of us a unique individual. And when we encounter others who have similar tastes and interests, our natural enthusiasm for those interests leads us to talking about them and sharing information. And when our interests tend to be, say, a mutual enjoyment of 80s rock music (yes really), we are likely to ask ‘have you heard of Band XYZ?’ They say no, and our immediate response is ‘oh you must! I’ll lend you the CD’. How many of us have lost many of our most treasured possessions this way? (My dad @davecg69 foolishly lent his Beatles 'Let it Be' vinyl with the booklet to a friend and never got it back, regretting it ever since!). So when the technology becomes available in the form of recording to cassette / CD, instead of saying ‘I’ll lend you the CD’, we say ‘I’ll make you a copy’. And the thought of copyright infringement does not even cross our minds.

This has given me food for thought: if file-sharing is damaging, what about all the other ways in which we share content where the rights owner receives little or, more often, no recompense? And for which there is no defence in UK copyright law? What about when one person buys a DVD and a group of flatmates all sit down after a meal one night to watch it? What about when a parent puts on a Disney films for 20 kids at a sleepover or party (usually so they can have an hour’s rest!)? And how many of us read, watch, or listen to something, and when finished with it list it on eBay to sell to someone else? Or give it to a charity shop?

How many of these constitute ‘lost sales’? When you consider the UK alone, almost 62 million people, have been doing these sorts of activities for years, without a private use exception in copyright, how damaging has that been? Yes it is true that you can reach the world through the medium of the Internet, and so instead of just a few people to share with, you can now share with thousands, if not millions. But that is not to say that everyone on the Internet is file-sharing copyright content. And on the flip side: how many people are using other sites where content can be legitimately acquired and paid for? Such as iTunes, or LoveFilm? Perhaps rather than focusing on the damage that file-sharing is having on the creative economy, industries should be comparing those statistics with the growth and use of legitimate downloads. I have little doubt that these sites have steadily increased in use over the past few years as more and more desirable content has become available to purchase.

As I said at the debate, more research needs to be done into this area, and not just industry-led research either, but strong verified independent research. And who better to lead on this than universities? Only the other week I was delighted to read about the Arts & Humanities Research Council’s funding opportunity for a Centre for Copyright and New Business Models in the Creative Economy. This is a first-class opportunity for universities to do some highly valuable research which will benefit the creative economy, looking at (I hope) all the issues I’ve outlined above and more. Research could measure the impact of the recession (people refraining from spend on items for pleasure or luxury, such as film/cinema and books) on the creative economy, contextualising it within the economic climate, as that undoubtedly has had an effect. But universities could also collaborate with businesses and the technology industry to experiment with new and innovative business models, measuring their impact and effectiveness and assessing long-term benefits.

I would urge Higher Education institutions to communicate and collaborate with one another on this project, which has the potential to revolutionise the way that research is being done in this area. A £5 million funding grant is not a figure you should ignore. Don't let this opportunity pass you by - get involved!

15 comments:

  1. I would be absolutely delighted to see an actual independent study of the economic impact of file sharing. There appears to be a lot of anecdotal evidence that shows sharing to increase overall sales of artistic works but little in the way of actual figures to back that up.

    Your examples of sharing where the rights holders receive no compensation are a bit off though. Showing DVDs to friends or children isn't a copyright infringement if no money changes hands.

    http://www.legislation.gov.uk/ukpga/1988/48/part/I/chapter/III/crossheading/miscellaneous-broadcasts-and-cable-programmes see (72)

    I'm pretty sure selling your books, films or CDs on eBay or donating them to charity isn't a copyright infringement either. I can't find any legal backing for that opinion though - the closest I can find is the Artist's Resale Rights regulations of 2009 which exempts private sales and all sales of less than €1000 from royalty payments. Needing a defence under UK copyright law would be news to the thousands of second hand bookshops and all the video game stores which deal in used games.

    The UK does have private use exceptions, there's a whole section of the CDPA devoted to permitted acts.

    http://www.legislation.gov.uk/ukpga/1988/48/part/I/chapter/III

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  2. Hi Dave!

    You're actually incorrect there - it can still be copyright infringement where money is not involved. Your reference to the legislation only covers films etc broadcast on the television, not individual DVDs picked up in Tesco, for example. My point is that one person has paid for it and is then showing it (making it available to view) to their friends, therefore technically infringing copyright. That's why there's a copyright notice at the beginning of a DVD to say 'for private use only'. Though it could be argued that 'private use' extends to parties and groups of friends, I'll give you that. But it would be a licence as opposed to legislation.

    I wasn't equating selling on eBay and so on with copyright infringement. I was merely trying to highlight areas where sales are lost, to see if this had any bearing or parallel with file-sharing (which is technically infringement, but is also measured as a lost sale). And yes, the resale right would apply here.

    The UK only has 'private study' as a permitted act, not private use. Again, contracts and licences tend to extend the provisions of the CDPA if anything. Hope that helps!

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  3. Hi. Surely watching a dvd at home with friends isn't communication, playing or showing to the public, so it's ok.

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  4. Wow, I totally missed the significance of the word broadcast in the parts I was looking at. I didn't really think about the difference between private use and permitted act either.

    Thanks for the clarification, copyright law is such a crazy minefield.

    The "lost sale" argument is something that always winds me up a bit - mainly because of the tendency to equate this with lost revenue.

    @Anonymous:

    Sadly what might be seen as a common sense interpretation rarely applies to actual laws.

    ReplyDelete
  5. it is okay and interesting

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  6. would be absolutely delighted to see an actual independent study of the economic impact of file sharing. There appears to be a lot of anecdotal evidence that shows sharing to increase overall sales of artistic works but little in the way of actual figures to back that up.
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